Roland Emmerich’s movie 2012 debuts this week. It’s the grossest, most obscene heap of apocalyptic propaganda ever splurged. I renounce it, denounce it, and pronounce it obscene.

If you’d like to tune in to some alternative views of 2012, check out a counterpoint to Emmerich’s absurd vision: the event “2012, or How I Learned to Stop Worrying and Love the Dimensional Shift.”